Phil Grabsky's Blog - New York - The Boy Mir - Documentary Daze.

Documentary Daze. A day of endless documentary talking and watching. The first film I saw was Better this World - directed by Katie Galloway and Kelly Duane de la Vega. It was about an aborted attack on the Republican National Convention in 2008. Very strong film. Then I saw about half an hour of Miss Representation by Jennifer Siebel Newson - about how mainstream media objectifies women. Not a fresh idea but that's probably the point! I guess you have to keep making such films until things change. I guess I have to side, at the end of the day, with the view that documentaries do, in some small way, have an influence. But it can feel like your canoeing up a waterfall. Then I went to Werner Herzog's Cave of Forgotten Dreams in 3d. Spectacular and the best use of 3d I've thus far seen - and clearly a small rig too. Everything was right - even the captions (which the Royal Opera House's Carmen got so wrong). Herzog is a must-watch director - always interesting though certainly at times a bit quirky. Those 30,000+ cave drawings though make the whole film wonderful. His choice of music wasn't perfect either. Indeed, wall to wall music seems to be the de facto way to make docs these days.



Then I saw Steve James' The Interrupters. A film about trying to reduce street-crime in Chicago. Again, strong. Good characters, good access. Film-makers sure do put themselves on the line for these films, I have to say. Too long again - the message began to repeat, and repeat. But still worth seeing. Then my own The Boy Mir premiere screening. Poorly attended but those who watched it very very enthusiastic and the Q&A afterwards went on towards 1am. I think that's going to be the struggle - if I can get folk to see it, they'll really like it. But are people tired of Afghanistan?

Phil Grabsky's Blog - New York - The Boy Mir, Docuweeks Theatrical Documentary Showcase 2011

Thursday 11th August 2011

A full-on documentary day. Meetings with distributors; and emails and texts galore. Watched Errol Morris' Tabloid - there are not that many documentary film-makers whose name alone makes me want to see whatever they do. Morris, however, is one. Tabloid doesn't disappoint - great style, entertaining and interesting - although I have to say I'm left at the end slightly unsure of Morris' attitude to the story. Then went to a HBO-hosted event for the Docuweek Showcase. It seemed to be a clever mix of opening event and excuse to show one of their own films that isn't in the Showcase. Marathon Boy is about that little Indian kid we all gawped at a few years back when he ran 42 miles. Very nicely made film, albeit half an hour too long. I won't give much away but the film has many good moments and some shocks too. I was, however, left with rather too many questions. Still, the film-maker really must have worked hard and I hope the film does well for her. At the event tonight there were something like 200 folk, just to show once again how competitive the doc world is now. So it's such a bunfight what films do well and which don't - plus the importance of contacts, publicity budget and what-not... A few observations from this event too: 1: I listened in to three conversations. Each was exactly the same. Person one says 'I ...' the second person listens for a pause and then says 'I..' and so it goes on. Not one of those people asked a question of the other! 2: at any one time there were 30 people on mobiles. No-one feels able to stand for a second on their own. 3: I overheard a woman discussing her forthcoming $65,000 food and beverage bill for her wedding. She can't have been a documentary film-maker. 4: the Time Warner building has a great view over Central Park, reminding you that this has to be the most exciting city in the world. 5: I hope one day Mir gets to visit. Back at the hotel, the all-important New York Times review comes in...bit so-so I have to say. The reviewer loved The Boy who Plays on the Buddhas of Bamiyan and thinks the long span of time for the new film makes it a little patchy. Which it is...but you don't want to sit and watch a three-hour film. Luckily on Rotten Tomatoes they mark it down as a positive review with the summary: 'If you've seen the first film, you'll want to come back to see Mir's progress through life. And no matter what happens, it seems, the smile remains.' Also Jules Brenner on Filmcritic.com writes a great review whose summary is 'Conveys an understanding of Afghan culture better than anything we've seen yet. Well worth its ninety minute screen time, and a lot more.'.

Phil Grabsky's Blog - Croatia, Brighton and New York

Monday 8 August: A big week for the release of my film: The Boy Mir – Ten Years in Afghanistan. Today in Croatia at a film festival. The films get shown in the most beautiful setting: on a huge inflatable screen in a mountain canyon, bizarrely next to the entrance to Tito’s once-secret cave complex. This could so easily be a peaceful Afghanistan in 20 years. Could but won’t be. At 2 o’clock in the morning I was in a bar with singing Croats, Serbians, Macedonians, Slovenians…I can’t say the former Yugoslavia is totally at ease with itself but what a dream for Afghanistan to get here. Bed at 2.30am .

Tuesday 9 August: Hotel balcony door bursts open at 3.50am. A storm has whipped up and it’s mighty windy. Slept on and off till 6am. Went downstairs for the car that was to take me to Zagreb airport. Only problem was the local tunnel had been shut by the storm – disaster; I had to get to the airport. Eventually a high-speed dash at Top Gear speeds along an alternative (and beautiful) coast road got me to the gate with 3 minutes to spare. Went in to the office in Brighton and waded through emails and post. Was heading to London for Kevin Spacey’s Richard III but rioting London kind of put me and the clan off. I was never scared to go out in Kabul.

Wednesday 10th August: New York Times get in touch – I’m nervous about their review as it’s the one review that everyone in the US and indeed internationally takes notice of. Meanwhile two other projects I have underway take up a lot of time – one on the life of Haydn and the other called Leonardo Live – a live broadcast to TV and cinemas in November from what will be an extraordinary exhibition at the National Gallery. But I’m drowning in contractual squabbles. Talking to my lawyer till the plane took off for New York didn’t feel like I was any kind of a hot-shot; I felt like an overworked, underpaid, tired Dad that was spending another three days away from his kids.

Thursday 11th August: Making War Horse was on PBS last night, which is great. I have to admit my first thought though was to check any press for Mir.. and the Village Voice had posted something. Relief, it's great: 'makes you laugh and breaks your heart in equal measure'...That's the DVD cover sorted then! I hope the NY Times tomorrow is even half as nice - or, at least, not bad. Off walking to a meeting in this wild, wonderful New York City. An American male is more likely to die here than in the US military in Afghanistan. Statistics, huh? $600 billion dollars, Thousands dead. Is life any better there? Depends who you are. Has there been progress? Of course. Is the country any less likely to return to civil war? No. Are we any safer in the West? You can die from a million ways. Terrorism is not your biggest worry – maybe those cigarettes, or that drink at lunchtime before you drive home. New York City though…no sign of being in a country at war. I know a film won't do much - if anything at all - but I do hope some people take a look.

The Boy Mir - Ten Years in Afghanistan will be showing in the excellent Docuweeks Theatrical Showcase at the IFC Center. It's an honour to have been selected and I can't wait, among other things, to see the other films. Anyone who loves films - actually anyone who loves life! - should come here or to LA to see what's been chosen for screening.

Leonardo Live - Tuesday 8th November 2011

I am not sure whether to breathe a sigh of relief or become more nervous...as tickets are now on sale for our big autumn arts project - LEONARDO LIVE. I came up with the idea almost two years ago to bring the big London exhibitions to a wider, even worldwide, audience - a mix of live Tim Marlow show to both Sky Arts and cinemas but LIVE on the eve of the exhibition's opening. I choose the huge November show at the National Gallery - Leonardo da Vinci. Like all these things, I severely underestimated the complexities in ramping up from a pre-recorded show to a live one and I'd say it's been a project that has needed my attention and input every single day! But I won't bore you with the horrors of negotiating contracts, access, budgets, etc. - what I will say is that there will be ten Leonardo paintings remarkably brought to the exhibition - unique and unlikely to ever be repeated. Plus dozens of other artworks that are relevant to the core show too. Tim Marlow and Mariella Frostrup will present an 85' show at 7pm on the 8th November and you can watch it on Sky Arts in the UK or at selected Picturehouse Cinemas. We'll have background mini-docs and expert guests and hopefully no-one will fall over or slip up. It is scary doing live stuff but if I can get through Afghanistan I can get through this! More to the point, it will bring Leonardo to a wider audience in, I hope, a wonderful way - and I always want to encourage people to look and admire the work of creative genius - whether a Beethoven or a Bruegel. TV broadcasters doubt there is an audience for art and stick any shows they do make on the smaller 4th channels (BBC4/More4 in the UK - or NOT AT ALL in the USA!) but you and I KNOW they are wrong, don't we?

Tickets for Leonardo Live are available to purhcase here.